明十四世紀晚期 / 十五世紀 剔紅蓮花紋圓蓋盒

the box and cover both of domed form, well carved through the multiple layers of cinnabar lacquer with central hexagonal lotus seed pods framed by an interlocking lozenge band, the sides of the cover and box carved with stylized lotus petals, the interiors lacquered black (2)

Both the box and cover in good general condition, with the exception of a 15mm restored rim chip to the cover with several associated cracks. One further rim star crack, visible to interior, measuring approximately 27mm. The top of the cover with a small possible restoration to one of the corners of the hexagonal lotus pod. The box in good condition, with only three small infilled rim chips and two rim cracks. Other faint age cracks to the lacquer.
In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.

Boxes of the same size and design can be found in the collection of the National Palace Museum, Taipei, included in the exhibition Carving the Subtle Radiance of Colors, Treasured Lacquerware in the National Palace Museum, Taipei, 2007, cat. no. 35. Another of a slightly smaller size (2 5/8 in., 6.7 cm) in the Palace Museum, Beijing, illustrated in Zhongguo qiqi quanji, vol. 5, Fujian, 1995, pl. 34. A smaller box (2 3/16 in., 5.5 cm) formerly in the collection of Carl Kempe is inscribed with a four-character Xuande mark, illustrated by Fritz Low-Beer, 'Chinese Lacquer of the Early 15th Century', The Museum of Far Eastern Antiquities, no. 22, Stockholm, 1953, pls 2 and 3. 

A number of cinnabar lacquer boxes of this design are found together with a corresponding tray, suggesting their intended use as utensils for the tea ceremony in temples in Japan. Two sets, one from the Tokyo National Museum and another from a private collection, were illustrated in the exhibition Carved Lacquer, Tokugawa and Nezu Museums, 1984, cat. nos 86 and 87. A box and tray bearing a Zhou Ming mark was sold at Christie's Hong Kong, 1st December 2010, lot 3076.