拍品 10
  • 10

十七世紀 黃花梨四出頭官帽椅

估價
70,000 - 90,000 USD
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招標截止

描述

  • Huanghuali wood
the shaped crestrail with extending truncated ends, the two corner posts with a gentle S-curve to the seat frame and forming the back legs, centered by a wide serpentine rectangular splat, the outscrolled arms with S-form mid and front supports, the molded edged frame enclosing a hard mat seat, above beaded and shaped front and side aprons, the cylindrical legs joined by low front and side stretchers and a high back stretcher, two transverse stretchers beneath

來源

倫敦蘇富比1985年5月2日,編號8

Condition

The central splat with a restored break where it joins the crest rail. There is the expected consolidation to the joinery. There are replaced aprons and it is missing its front rail stretcher apron. The surface with some minor staining and expected wear, the back side of the chair is lighter in color from sun exposure.
In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.

拍品資料及來源

In the late Ming dynasty, the elegant simplicity of this imposing and spare form represented the height of grand literati taste. The famed 17th century arbiter of refinement, Wen Zhenheng, in his best known work, Zhang Wu Zhi (Treatise on Superfluous Things) advocated restrained design as exemplified by the present armchair and goes so far as to describe excessive decoration as vulgar. Similar examples of this classic form are illustrated in Wang Shixiang, Connoisseurship of Chinese Furniture, vol. 2, Hong Kong, 1990, pl. A70; and one of a pair illustrated in Nancy Berliner, Beyond the Screen, Museum of Fine Arts, Boston, 1996, p. 104, cat. no. 8. 

For a general discussion on the basic model and elegant decorative vocabulary of these chairs, see Curtis Evarts, 'From Ornate to Unadorned, A Study of Yokeback Chairs', Journal of the Chinese Classical Furniture Society, Spring 1993, pp. 24-33. Examples of this form recently at auction include one sold in our London rooms, 13th May 2015, lot 115; and two in these rooms, 17th-18th March 2015, lot 221 and 18th-19th March 2014, lot 419.