亨德拉·古拿溫

直接購自藝術家
私人收藏，印尼

This work is in very good overall condition as viewed. There is some hairline craquelure visible at areas of thick impasto, but these are stable and consistent with the age of the work. Examination under ultraviolet light reveals two small spots of restoration: one at upper left corner at sky, and the other above the mountain at sky in the upper left quadrant. Framed.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

Hendra Gunawan is admired as one of the most important artist in propelling the development of Indonesian Modern Art. Growing up in a local village, he was inspired by the Indonesian village life, which had a direct influence on his painting style. His oeuvre is filled with colourful depictions of the rural lifestyle and traditions, and can be seen as a celebration of the common man. As an artist with political aspirations, Hendra used painting as a method to document the lives of the locals, as well as his ideals, thereby exploring the freedom that was found in artistic expression.

The present lot Pejual Topeng (Mask Seller) features a mask seller in the midst of his daily work. Hendra has illustrated the rural narrative with a brilliant colour palette, that gifts the villagers with an otherworldly existence in their environment. The role of the mask seller reveals Hendra’s affection with the Wayang Kulit. Also known referred to as Indonesian shadow puppets. The current piece deliberately draws attention to the facial expressions of the people and the masks with exaggerated mannerisms, thereby to reference the local handicraft culture.

The artist viewed the painting medium as a means to communicate with the public upon all levels. By visually documenting the everyday activities and tasks of the villagers, each painting by Hendra pays homage to the cultural heritage of Indonesia. Pejual Topeng (Mask Seller) is evident of the artist's great respect towards his country and heritage.