鍾泗濱

新加坡蘇富比，2003年10月12日，拍品編號69
林少明教授故藏
上述藏家贈予現藏家
私人收藏，新加坡

This work is in very good overall condition as viewed. There is very fine, hairline craquelure visible at areas of thick impasto, consistent with the age of the work. Examination under ultraviolet light reveals areas of restoration at the surface of the canvas and at edges and corners of the work. Framed.
In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.

 “In my paintings, colour in the subject is the main theme I always work on the main subject first and then put in the foreground and background, the colours in which are of secondary importance. It is creation of harmony of colours and variations in tones which are my main objects in painting. I paint when I am in mood, but I would stay at one subject for days, if necessary, to complete the expression of the idea in my mind. Colours I particularly like are Crimson Lake and Black”.

- Yeo Wei Wei, Cheong Soo Pieng: Visions of South East Asia, The National Art Gallery, Singapore, 2012, pg.178.