納堤·尤塔瑞

The work is in overall good condition. The paint layers are intact and absent of discoloration. Minor wear around the edges of the canvas. Framed, on a stretcher.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

“Over the past two or three years, I’ve felt a renewed fascination for the pictorial language of classical painting. In my search for answers to certain questions, I’ve had the growing suspicion that the language of contemporary painting, which has been stripped of so much of what mattered to classical painting, is simply not up to the job of conveying the complexity of modern issues and the multifarious nature of ‘truth’ today.”

– Natee Utarit, The Illustration of the Crisis, 2010