陳樹中

款識：
Chen Shuzhong 樹中 2012（右下）
野草灘，原野之秋 陳樹中 CHEN SHUZHONG 2012（畫背）

亞洲私人收藏

This work is in very good condition. Under UV, there is no evidence of restoration.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

陳樹中三十多年的創作實踐中，以現實、超現實主義藝術手法和浪漫主義的藝術元素，描繪了中國北方土地上的多彩生活，這與畫家在北方農村出生、長大和對繪畫藝術的孜孜不倦的追求密切相關。在畫家的多數創作中，人們都能找到對遠去家園的回望與眷戀，也喚起人人們綿綿的溫暖鄉愁。《野草灘，原野之秋》的畫幅雖然不大，但內容豐富、劇情生動，飽滿的構圖中秋色的原野向遠處鋪展開去，在遠山與天穹的對比下，黃色的秋野充滿生機，清澈的河水伸向遠方，強化了空間深度，人們在秋野上收割、勞作。與遠景形成強烈對比的是近景帶有超現實感的碩大果實，清麗可人，人們在果實間忙碌著，好似舉行秋日的盛典，祭奠大地對人類的饋贈。白色陶瓷瓶上國畫般寫意的青蛙、荷花、蜻蜓象徵著天人合一的美好情愫，與河水中的白鵝形成和諧的關係，花瓶中的蒲棒象徵著人類的美好希望。這些豐碩的果實是人們賴以生存的必須的物質，它們來自於身邊的大自然，更依賴於人們的辛勤勞動，勞動與收穫的關係在人類的大自然中千古不變的上演著。