丁雄泉

款識：
藝術家鈐印（右上）

現亞洲藏者直接購自藝術家本人

This work is in very good condition.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

「離開中國已經三十年了。不時地，在春季或是下雨天，總是很容易患上思鄉病。一點中國的音樂、一碗餛飩湯、一張宣紙、一瓶墨水、一只筆刷和一杯茶，我如春風拂過般的開始畫中國女人。」
丁雄泉

如果說春天是顏色的代表，那麼丁雄泉的作品就是春天萬物的縮影。1980年代以來，丁雄泉開始擺脫現代派各種藝術潮流和運動的影響，以其生命的直覺來傾瀉其情感，將艷麗的色彩搭配姿態撩人的女性形象反覆實驗於作品中，或許是因為思鄉情緒，他亦開始以水墨宣紙描繪各種中國女性的姿態。《倚榻美人圖》裡，畫家將各種不同明度和色調的紅色運用於畫中的主角和背景。紅色在中國象徵喜氣和吉祥，作品中的鮮豔色彩充滿著快樂歡欣之情。藝術家以中國式寫意的筆法勾勒出眼神嬌媚的女主角，風情萬種的她以花扇半遮臉，倚躺在一花團錦簇之馨香中。柔美的女性軀體加上花卉、水果和後方丁雄泉以「畫中有畫」的方式繪出的件件精美小品，豐富的色運交織出一段青春的頌歌，在在烘托畫家在創作時所欲傳達的濃郁愛戀和歡愉氣氛。讓人聯想到〈詩經‧衛風篇〉中的〈碩人〉一詩：「手如柔荑，膚如凝脂，領如蝤蠐，齒如瓠犀，螓首蛾眉，巧笑倩兮，美目盼兮。」丁雄泉從不諱言自己喜愛女人，更愛藉著詩畫歌頌女性之美，《倚榻美人圖》中輕盈、亮麗和別具匠心的色彩運用，正是藝術家內心強烈的情感波瀾與大千世界。