關良

款識：
藝術家鈐印（右下）

原藏者直接購自藝術家本人
香港蘇富比拍賣會（二〇〇六年四月八日，拍品編號六〇六）
現亞洲藏者購自上述拍賣

This work is in overall good condition. There are three small spots of foxing on the clouds and light discoloration on the trees.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

「最為藝術家要立志於創新，在生活中不斷發現和敢於運用別人從來沒有嘗試過的藝術形式和手段，獨具匠心的表現自己真切的感受，在藝術道路上充滿熱忱與自信，走別人從來沒有走過的道路。」
關良

一生致力於藝術創作，關良以畫風天真質樸稱譽畫壇。《風景》充分展現他對自然環境的高超觀察力和感受力。雖然只是一尋常的山水風光，藝術家卻不跟隨當時中國主流社會流行的寫實畫風。在構圖上他引用西方的透視法，營造一寬廣深厚的河流和遠方層層山巒，前景的樹林又以粗獷的筆法勾勒樹葉的蒼潤。白雲朵朵、淡藍天空上的飛鳥和地上牽著驢子的紅衫旅人各自漫遊於此世外桃源，再配上大地色系為主的色調，充分表現中國山水畫中常見的逸筆草草、平淡蕭疏氣息。關良的作品追求傳神不求形似，《風景》中人與自然的「天人合一」讓觀者回味無窮。