明末 黃花梨方角炕櫃一對

櫃頂為格角榫攢邊框平鑲面心，下裝二根穿帶支承。抹頭可見明榫。四條方材櫃腳上端以粽角榫納入櫃頂框，內沿起線與抹頭立面下沿和櫃幫下底棖的線腳連接。櫃幫及背板落堂裝板心。櫃門為標準格角榫攢邊框，以兩根橫棖分為三段，落堂鑲心板，上安沿邊起線圈口牙子。櫃內安格板裝兩具抽屜，門下有起線壺門輪廓牙條雕卷草紋，兩端嵌入腿足，上端齊頭碰底棖。左右兩面及後方安素面牙條，櫃身裝形狀美觀的白銅面頁，鈕頭、吊牌及合頁。

弗利爾美術館及賽克勒美術館，史密森博物院，華盛頓，1997-2001年
伍嘉恩，《禪椅琴凳：攻玉山房藏明式黃花梨家具》，香港中文大學文物館，香港，1998年，編號34，頁126-127

Overall good condition, with just minor surface wear and bruising to the fragile extremities, as expected through its use in a domestic setting over the centuries.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

「器雅成對，置炕尤佳。相隔六年購入，二櫃久別重逢。」

體型袖珍如此方角櫃例，應置炕上使用。傳世品中黃花梨木製炕櫃單件都十分罕見，成對更異常珍稀。此對炕櫃製作精美，木紋流麗生動，通體採黃花梨，十分考究。相類例子，可比較一對素身方角炕櫃，載於伍嘉恩，《器美神完：明式家具精萃》，嘉木堂，香港，2014年，頁72-75。