拍品 258
  • 258

尼古拉斯·凡·韋恩戴爾

估價
20,000 - 30,000 USD
招標截止

描述

  • Nicolaes van Veerendael
  • 《瓶中玫瑰、康乃馨等鮮花,檯面有水果與鮮花》
  • 款識:畫家簽名並紀年 ni.v. veerendael 1689(左下)
  • 油彩畫布

來源

Jacques Dupont, Brussels, until 1967;
By whom sold, London, Sotheby's, 19 April 1967, lot 94 (sold with its pendant), to Finck;
With Galerie Robert Finck, Brussels;
Anonymous sale, New York, Christie's, 11 January 1979, lot 69. 

展覽

Brussels, Galerie Robert Finck, Exposition de tableaux de maîtres du XV au XIX siècle, 24 November - 17 December 17 1967, no. 39 (exhibited with its pendant); 
Worcester, Worcester Art Museum, The collector's cabinet: Flemish paintings from New England private collections, 11 June 1983 - 29 January 1984, no. 36.

Condition

There is an old glue relining which is firm and stable. the paint surface has been slightly pressed in the relining process. the detail overall remains very good and the colors are strong. there is a slight degree of thinness in the browns of the background and to some of the darks of the foliage. under UV light the surface fluoresces unevenly. there are only a few very small retouches to some of the flowers and fruit. there is some reinforcement to the outlines on the vase and some retouching along the edges. In a carved and gilt wood frame.
In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.

拍品資料及來源

When last sold (see Provenance), this work was offered in sequence with a similarly composed pendant, now located in the Evansville History and Science Museum of Arts, Evansville, Indiana (inv.no. 1979.33). 

We are grateful to Fred G. Meijer of the Rijksbureau voor Kunsthistorische Documentatie, The Hague, for confirming the attribution to Veerendael following first hand inspection. Meijer considers this a late work by the artist.