清乾隆 青白玉御題詩「梅妻鶴子圖」「觀瀑圖」硯屏一對

詩文：

秦漢虯鱗翠十尋，團團如蓋散清陰；
暫拋居士齊眉杖，靜撫中郎焦尾琴。
指上泉流疑澗底，林端濤泛似秋深；
怡情自具成連調，一幅希夷物外心。



梅是山妻鶴是男，逋翁妙偈阿誰參；
靈台明處丹成九，耳觀清時笛弄三。
八字疏眉連玉筍，小團雙鳳貯都籃；
旋收筆硯排書卷，怕作文章博大慚。

The plaques are both in overall good condition. The one on the left has a few small nicks to the edges and corners and a small chip measuring approx. 1.8 cm to the side. The one on the right similarly has a few small expected nicks to the edges and corners and a shallow chip measuring approx. 0.6 x 1 cm to one side. There are insignificant minute nicks to the relief carving on both plaques as can be expected. The actual colour of the jade is similar to the catalogue illustration.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

左屏雕一帶携琴書僮之高士於嶙峯秀山中之亭閣傍觀賞飛瀑。此觀瀑主題多為反映文人雅士對遠離塵囂、親近自然之生活的嚮往。御製詩中以「指上」琴音擬作清澗潺潺水聲，正是對圖景之呼應。右屏則以宋代詩人林逋隠居孤山，不娶不子，在林間養鶴詠梅，「梅妻鶴子」之典故為題、同様詠頌雅士之高尚品格及對自然之崇敬。

玉屏背面陰刻描金題詩出自《清高宗御製詩文全集》，屬乾隆四年，原依一組八幅畫作所作詩文之兩組段。玉屏正面之圖景極可能是仿照原畫雕刻，相配題詩。

可比較二件雕相近主題，但布局略異，同帶御製詩的白玉屏，現藏台北故宮博物院，刊錄《宮廷之雅：清代仿古及畫意玉器特展圖錄》，國立故宮博物院，1997年，編號62及67。