明正德 白釉葵花口洗 《正德年製》款

exquisitely potted with shallow flared sides gently divided into ten mallow petal-shaped lobes rising from a correspondingly shaped foot, covered overall with a glossy milky-white glaze with a faint bluish tinge, the domed base inscribed in underglaze blue with a four-character reign mark within a double-circle

香港佳士得2001年10月30日，編號612
Greenwald 收藏，編號80
香港佳士得2010年12月1日，編號2807

The washer is in overall good condition. There are two small burst bubbles on the mouthrim, one with an associated flake. There is one pinhole to the exterior of the body with a stained line.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

This charming piece is striking for its semi-translucent and glossy glaze, complemented by the elegant mallow shape. White glazed washers of this shape were first designed in the Yongle period (1403-24). Although no complete example appears to have been published, a reconstructed washer of this form and glaze was recovered from the Yongle stratum of the waste heaps at the imperial kiln site in Zhushan, Jingdezhen, and included in the exhibition Imperial Hongwu and Yongle Porcelain Excavated at Jingdezhen, Kaohsiung Museum of Fine Arts, Kaohsiung, 1996, cat. no. 100.

Zhengde mark and period washers of this form are held in important museums and private collections worldwide, including one in the National Palace Museum, Taipei, illustrated in Minji mehin zuroku [Illustrated catalogue of Ming dynasty porcelain in the National Palace Museum], vol. 2, Tokyo, 1977, pl. 104; another in the Museum of Far Eastern Antiquities, Stockholm, published in Jan Wirgin, Chinese Ceramics from the Axel and Nora Lundgren Bequest, Stockholm, 1978, pl. 44; and a third from the George Eumorfopoulos, Cunliffe and T.Y. Chao collections, sold in our London rooms in 1940, and twice in these rooms, 20th May 1980, lot 60, and 19th May 1987, lot 251. A further washer also from the George Eumorfopolous and Cunliffe collections and later in the Meiyintang collection, illustrated in Regina Krahl, Chinese Ceramics from the Meiyintang Collection, vol. 2, London, 1994, pl. 688, was sold in these rooms, 7th April 2011, lot 59; another from the collection of Nancy and Ira Koger, illustrated in Geng Baochang, Ming Qing ciqi jianding, Beijing, 1993, p. 116, pl. 216, was sold in our London rooms in 1986, in our New York rooms in 1990, and again in these rooms, 26th October 1993, lot 58; and two washers from the collection of Carl Kempe, published in Bo Gyllensvärd, Chinese Ceramics in the Carl Kempe Collection, Stockholm, 1964, pl. 687-8, were sold in our Paris rooms, 12th June 2008, lot 46 and 50.

Washers of this type appear to have been much treasured at the Qing court, as evidenced in the handscroll Guwan tu (‘Pictures of antiques’), dated in accordance with 1728, from the Sir Percival David collection and now in the British Museum, London, included in the exhibition China. The Three Emperors 1662-1795, Royal Academy of Arts, London, 2005, cat. no. 168, which includes a drawing of a closely related washer on a wooden stand.