- 2855
方召麐
估價
200,000 - 300,000 HKD
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招標截止
描述
- Fang Zhaolin
- 黃土高原窰洞樂
- 設色紙本
鏡框
一九八九年作
款識
己巳正月初二起稿。年初六寫竣梁溪。方召麐於港畫室。
鈐印
「召麐」。
款識
己巳正月初二起稿。年初六寫竣梁溪。方召麐於港畫室。
鈐印
「召麐」。
來源
瑪麗及莊智博珍藏
Condition
Overall in good condition. There is minor foxing in the upper margins of the image, which can be improved by restoration.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."
拍品資料及來源
Fang Zhaolin is not only an artist recognised for her significant contribution to the development of Chinese painting in the 20th century, but represents a worldly intellectual and woman ahead of her time in modern China. Trained as a classical painter, Fang went on to develop her own style under the guidance of modern artists and her contemporaries, which eventually led to her signature cun (textured) brushstrokes used in both her vibrant landscapes and expressive calligraphy. Intellectually restless and a world traveller, Fang constantly experimented with fresh visions for her compositions.
Cave Dwellers of the Yellow Highlands illustrates a common subject in Fang Zhaolin’s paintings, which originated from her travels to Huang Shan (Yellow Mountain) in China beginning in the early 1970s. The dramatic scenery of the ancient mountain area has inspired artists for centuries and for the artist, its enduring mystique represents an immutable sentimentality for her homeland.