清乾隆 局部漆金銅大黑天坐像 《大清乾隆年敬造》款

銘文：
大黑天
無上陰體根本

加州北部遺產收藏

The chignon on top of the head has been reattached and is loose. There is a break to the section of scarf over the left shoulder and repairs to a section of scarf behind the head. The attribute held in the right hand is missing. There are repairs to the front bottom edge of the base and chips, cracks and wear to the base. There is wear to the pigments and gilding as well as minor surface wear consistent with age.
In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.

The inscription above the lower edge, Daheitian, identifies the figure as Mahakala, whose name literally means the Great Black. Black in this case is figurative rather than descriptive and refers to the nature of Mahakala. Just as blackness indicates the absence or complete absorption of light, so too does Mahakala's nature reject and absorb all form and substance, leading to ultimate reality.

Mahakala has many forms and diverse functions, which are dictated by the needs and abilities of devotees. To initiated practitioners he appears in esoteric, wrathful forms. To lay devotees, he takes more human forms as portrayed in the present lot. Two handed depictions of Mahakala often depict the deity holding the skull cup and either a cutter or a sword. In the case of the present lot, the missing attribute is likely a cutter, due to the angle that the hand is held.

The Qianlong emperor was a devoted Buddhist and a keen follower of Tibetan Lamaist teachings. He had bronze figures of the Tibetan Buddhist Pantheon made in the Palace Workshop to be enshrined in the numerous Buddhist halls built within the Forbidden City, such as the Baoxianglou and the Fanhualou.

The figures enshrined in the Fanhualou were divided into six categories, and the inscription on the back of the present lot reading wushang yinti genben (the root of the supreme yin manifestation), indicates that it belongs to the third category and was enshrined in the third chamber of the Fanhualou, built by Qianlong in 1772. It is recorded that 786 images were enshrined there.

Related figures from the Fanhualou with similar Qianlong marks and identifying inscriptions are illustrated in Fanhualou / Statues in the Sanctuary of Buddhist Essence, Beijing, 2013, Vol. I, nos. 330-332, and Vol. II, figs., 738-741. Related figures from the Baoxianglou are illustrated by Walter Eugene Clark, Two Lamaistic Pantheons, New York, reprinted 1965. Other related figures have sold at Christie's New York, 22nd March 2007, lot 215; 15th September 2011, lot 1376; and in our London rooms, 4th November 2009, lot 215.