南宋 吉州剪紙梅花紋盌

the deep rounded sides rising from a short foot to an indented slightly everted rim, the interior with papercut-resist decoration of thirteen dark brown plum blossom florets, one central the others scattered evenly over the surface, all on a lively grayish-blue speckled ground draining from the rim to a pale amber, the exterior applied with rich brown glaze falling short of the unglazed foot 

There are two chips to the foot ring and a very small burst glaze bubble to the exterior.
In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion. Illustrations in the catalogue may not be actual size. Prospective purchasers are reminded that, unless the catalogue description specifically states that a stone is natural, we have assumed that some form of treatment may have been used and that such treatment may not be permanent. Our presale estimates reflect this assumption.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.

It is rare to find this type of bowl with the cut-out florets on a pale ground.  A similar example recovered at the kiln site is illustrated in Peng Ming Han, Jizhou Kiln, Beijing, 2007, no. 42.