黃士陵 (1849-1908) 篆書〈舞鶴賦〉

款識：
（錄鮑照〈舞鶴賦〉，文略）
頌袞二兄大人正畫。丙申夏四月，弟黃士陵。

鈐印：「黃士陵印」、「穆父學篆」。

李研山舊藏

-Signs of restoration can be found in the blank area at top of the second scroll, where there appears to have paper losses previously. Creases, paper losses, paper cracks, foxing can be found, which can be improved by restoration. Otherwise, generally in good condition.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

李研山家族珍藏書畫（編號1255-1260）

廣東李研山筆墨師法傳統，出入古人，造詣精妙，極得藝林推重。他秉性淡泊，行事低調，不少佳作留置家中。其家屬珍藏今春首度釋出市場，反應熱烈，成績斐然，今再度推出，供同好共賞。

本輯五幀皆為畫家五十年代後所出。是時，他剛定居香江，恰逢收藏界名宿如張大千、「金匱室」陳仁濤等攜珍藏南來，與先生過從甚密，讓他得以日夕觀摩前賢劇迹，獲此良機，追源溯流，遂進行系統性之臨摹研習。〈臨董北苑《谿山雪霽圖》〉（編號1257）、〈仿黃鶴山樵《夏山圖》〉（編號1256）即寫於此時，構圖、氣韻皆逼近原件，饒有古意，足見其步武前賢之功力。〈雙松〉（編號1259）、〈墨竹新篁〉（編號1255）、〈墨梅圖〉（編號1258）則為先生好寫之「三清」題材，畫中處處流露文人雅逸之氣韻，亦是畫家個人修養與品味之表現，識者自當珍之！