李研山 (1898-1961) 江風雪竹圖

款識：
庚寅暮春，李研山寫於九龍山中。

鈐印：「取受付與相因緣」、「李硯山書畫記」、「石谿壺館」。

香港大會堂，〈李研山逝世十四週年紀念展〉，一九七五年五月十一至十四日
香港藝術館，〈抗心希古 ─ 李研山的藝術〉，二○一一年六月十日至十月十六日

〈李研山書畫集〉，李允鉌編（東方文物圖籍出版社，一九七四年），頁123
〈抗心希古 ─ 李研山的藝術〉（香港藝術館，二○一一年），圖版65

-Foxing can be found on the painting near the right border. Otherwise, generally in good condition.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

「意與古會」：李研山家族珍藏書畫（編號1275－1279）

近世廣東畫壇諸家中，李研山先生師古得法，韻味儒雅，出身法律界，卻以畫名傳世，其藝事早有定評。定居香江後，與收藏界過從密切，埋首鑽研目遇之歷代劇迹，潛心探求筆墨變化之道。他深居簡出，行事低調，不事逢迎世俗，且日後身體欠佳，惟創作不輟，重要作品多留置家中。自一九七五年迄今，四十年來，僅兩度公開展覽。今蒙其家人慨允，出所藏三十年代至五十年代精品五幀，題材或山水，或松竹，構圖或約或繁，筆墨或蒼茫沉著，或清疏雅淡，皆出入前賢，參得己法之表現，足令觀者讚嘆其造詣之精湛矣！

註：本幅以江畔雪竹入圖，時正畫家專注於探究元人畫法，若對照清宮舊藏之郭畀〈雪竹圖卷〉，可知乃參酌該本而寫成。原卷尺幅略長，末段見琅玕密聚成叢，李氏簡略之，僅取前段，以江天暮雪，狀細竹不禁罡風而彎折之貌，極得冷峻疏寡之致。

參考資料：
元郭畀〈雪竹圖卷〉今藏台北故宮博物院