李研山 (1898-1961) 臨黃大痴〈重巒叠嶂圖〉

畫家署簽

簽書：
李研山臨黃大痴〈重巒叠嶂〉。淺絳。

款識：
黃大痴為鍊師養正寫〈重巒叠嶂圖〉，吾粵葉氏風滿廔藏，今歸陳氏金匱室。辛卯中秋鐙下設色。李研山並記於雙銕篴樓。

鈐印：「出塵」、「新會李居端鈢」、「雙銕笛樓」。

香港大會堂，〈李研山逝世十四週年紀念展〉，一九七五年五月十一至十四日
香港藝術館，〈抗心希古 ─ 李研山的藝術〉，二○一一年六月十日至十月十六日

〈抗心希古 ─ 李研山的藝術〉（香港藝術館，二○一一年），圖版38

-Light foxing can be found on the painting, which could be removed by restoration. Otherwise, generally in good condition.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

「意與古會」：李研山家族珍藏書畫（編號1275－1279）

近世廣東畫壇諸家中，李研山先生師古得法，韻味儒雅，出身法律界，卻以畫名傳世，其藝事早有定評。定居香江後，與收藏界過從密切，埋首鑽研目遇之歷代劇迹，潛心探求筆墨變化之道。他深居簡出，行事低調，不事逢迎世俗，且日後身體欠佳，惟創作不輟，重要作品多留置家中。自一九七五年迄今，四十年來，僅兩度公開展覽。今蒙其家人慨允，出所藏三十年代至五十年代精品五幀，題材或山水，或松竹，構圖或約或繁，筆墨或蒼茫沉著，或清疏雅淡，皆出入前賢，參得己法之表現，足令觀者讚嘆其造詣之精湛矣！

註：黃公望〈重巒叠嶂圖〉現藏倫敦大英博物館，畫上具「風滿樓」葉夢龍及「金匱室」陳仁濤之藏印。津沽陳仁濤（1906－1968）於四十年代後期來港，其「金匱室」藏古代書畫甚豐，恰好為李研山探索前人筆墨畫法，提供研習借鑑之對象。是時，李氏專志探究元人畫法，尤以黃大痴用功最深，本幅即對臨自陳氏藏本。