拍品 237
  • 237

明 銅蓮瓣盤

估價
150,000 - 250,000 HKD
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招標截止

描述

  • bronze
the shallow flared sides cast in the form of seven shaped lotus petals radiating from the flat centre, supported on a circular footrim, the base cast in raised relief with a six-character Xuande mark in kaishu within a rectangular cartouche

來源

香港蘇富比1983年11月15日,編號343

Condition

The dish appears to have been fitted to a stand at some time, at which point part of the ribbing on the outer footrim was removed in all seven cases, and the footrim was trimmed. Minor dents and general surface wear to the body. The patina is slightly darker in reality.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

拍品資料及來源

The form of this dish is known in porcelain and lacquer, but is rare to find in bronze. For a gilt-lacquered box and cover of this distinctive foliate form, excavated at Jiangyang, and now in the Suzhou Museum, inscribed with a cyclical mark corresponding to A.D. 1405, see Harry Garner, Chinese Lacquer, London, 1979, pls. 106 and 107. For a Yuan dynasty lotus-shaped blue and white dish in the Shanghai Museum, see The Complete Works of Chinese Ceramics, vol. 10, Shanghai, 2000, no. 160.

When sold at Sotheby’s Hong Kong in 1983, the mark was guaranteed, but due to the large number of later incense burners which the Xuande output inspired and the absence of emergence of any definitive standard for determining the dating of this group of marked bronzes, it is difficult to attribute it firmly to the Xuande period.

For another Xuande reign-marked bronze dish of this form, see Christie's New York, 20th September 2002, lot 178.