- 25
1892年 周樂元作水晶內畫河畔對弈圖鼻煙壺 《壬辰暑夏寫於京師藕香齋周樂元》款
估價
70,000 - 90,000 HKD
Log in to view results
招標截止
描述
- 《壬辰暑夏寫於京師藕香齋周樂元》款
- crystal
來源
Hugh M. Moss Ltd，1985年
展覽
Robert Kleiner、楊伯達及 Clarence F. Shangraw，《盈寸纖研 ─ 瑪麗及佐治伯樂鼻煙壺珍藏》，香港藝術館，香港，1994年，編號321
新加坡國家博物館，新加坡，1994-1995年
倫敦佳士得，1999年
新加坡國家博物館，新加坡，1994-1995年
倫敦佳士得，1999年
出版
Hugh Moss、Victor Graham 及曾嘉寶，《A Treasury of Chinese Snuff Bottles: The Mary and George Bloch Collection》，卷4，香港，2000年，編號499
Condition
Bottle: Tiny, insignificant chip to the outer lip. Minor nibbles to the inner lip and inner footrim. Natural icy flaws. Painting: Good condition.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."
拍品資料及來源
The painting on this bottle is typical of Zhou’s classic late landscapes; it is exquisitely controlled, wrapped around the bottle, and inscribed with the date and place of painting in the neat, angular calligraphy of his later style. However, when he paints a continuous landscape, as in Sale 5, lot 72, Sale 8, lot 1098, and others, Zhou generally maintains a consistent scale or distance from his subject. In this case, the fisherman is viewed from a much closer vantage point than the scholars in the pavilion on the other side. The transition is handled faultlessly; after all, such variations in perspective had long been a technique of Chinese painting, particularly with horizontal scrolls. Sale 6, lot 145 is another example, although the absence of human figures on one side makes the difference in scale more subtle.