黎譜

The work is in good condition overall, as is the silk, which is free from runs and tears. There is indication of light wear and handling around the edges of the painting but only visible upon close observation. Examination under ultraviolet light reveals no evidence of restoration. Framed, under Plexiglas.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

“Le Pho’s draftsmanship raises his paintings into a realm of pure peace, grace and beauty…He has helped with fine arts in oriental and western areas come closer, while holding on to that quietness of gaze , that veneration. His works evoke a world of unreality, a place without death and evil.”¹

Graduating three years earlier from the École des Beaux Arts d’Hanoi, Le Pho explored the dialogues between Eastern and Western traditions in Vietnam, paving the artist as the distinguished 20^th century master of Vietnamese silk painting. In the present Lot Le Bain, Le Pho traced every characteristics of his forte as a painter, conveying the essence of feminine beauty via the inherent softness of the silk medium. In the painting, Le Pho deliberately elongates the lady in the painting to emphasize her innate elegance. The colour laid over the silk brings forth the fine ink outline of the woman’s body, insinuating a subtle youthfulness. With fine brushwork resembling Chinese calligraphic lines, Le Pho’s mastery in the medium of silk effectively captures the abstract quality of beauty and grace.

¹ Waldemar George cited in Le Thanh Tru, Vietnam Art Books, Home Is Where The Art Is For Lamented Le Pho, 28 August 2011