艾林·迪維哈坦托·蘇納里奧

The work is in good condition overall. There is light wear and handling along the margins of the panels, along with minor nicks and chips on the right panel (upper left corner). Examination under ultraviolet light shows no evidence of restoration.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

"Arin Dwihartanto Sunaryo, who comes from a family of artists and designers, describes having become increasingly aware of the significance of medium and process while studying in London—an evolution inspired in part by painters like Alexis Harding, Peter Zimmermann, and Ian Davenport. On returning to Indonesia, Sunaryo was attracted to the flowing, paint-like quality of industrial resin and, in 2008, started to use it in conjunction with methods such as photographic printing, and materials including volcanic ash."

Cited in The Guggenheim UBS MAP Global Art Initiative, November 2013