阿麥德·紮奇·安瓦爾

The work is in good condition overall, as is the paper, which is free from foxing and holes. There is light wear and handling around the edges of the painting, along with gentle creases on the top middle area of the white background and near the left and right margins, but these are only visible upon close observation. Examination under ultraviolet light reveals no evidence of restoration. Framed, under Plexiglas.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

"I rarely finish a painting 100 per cent the way I intended. Ideas change along the way. The painting might lead you to unexpected areas. You act and the canvas reacts; the canvas acts and you react. It's like a dance; sometimes you lead and the other times your partner leads. But sometimes, when the stars are aligned right, artists and canvas are cosmically in tune. At such times, every stroke seems perfect. When idea and execution are in total harmony, a painting is finished quickly and the result is immensely satisfying." 

Ahmad Zakii Anwar cited in an interview with Abd Latif Maulan, 2005