罕有琺瑯彩配乳白色琉璃及鑽石手鏈一對, René Lalique

• 每一條五片花葉造型鏈節，由古墊形鑽石連接
• 每片鏈節飾乳白色琉璃，葉莖畫綠、藍色琺瑯彩
• 鑲天然珍珠
• 每片中央鑲1顆古墊形鑽石
• 長度約172毫米
• 均附Lalique品牌刻名
• 兩條手鏈可結合作項圈佩戴，長度約345毫米
• 其中一顆為養殖珍珠
• 部分經修復

*拍品資料以英文為主，中文翻譯僅供參考

Cf.: Sigrid Barten, René Lalique, Schmuck und Objets d'Art. 1890-1910, Bonn, 1989, pg. 455, ill. 1271,2 for a reproduction of the original sketch of the bracelet.

Cf.: Vivienne Becker, The Jewellery of René Lalique, London, 1987.

Cf.: Marc and Marie-Claude Lalique, Lalique par Lalique, Paris, 1977.

Accompanied by GIA report no. 2173057989, stating that nineteen pearls measuring from approximately 4.30 to 5.24 mm, were found to be natural, saltwater, and one was found to be cultured. Each bracelet signed Lalique on the tongue of the clasp. Pearls of white body colour, with good skin and lustre. Cornflower glass motifs with chips, scratches, a few with evidence of restorations. Lack of enamel on leaf and stem motifs. Diamonds estimated to weigh a total of approximately 8.00 - 10.00 carats, on average H-J colour, VS-SI clarity, as gauged and graded in the mounting. Clasps secure, safety chains. Signs of wear to the metal consistent with use, a few prongs with evidence of repairs, traces of glue under the glass motifs and on the back of the bracelets. Total gross weight approximately 152 grams.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Please note that colour, clarity and weight of gemstones are statements of opinion only and not statements of fact by Sotheby's. We do not guarantee, and are not responsible for any certificate from a gemological laboratory that may accompany the property. We do not guarantee that watches are in working order. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue, in particular to the Notice regarding the treatment and condition of gemstones and to the Notice regarding import of Burmese jadeite and rubies into the US.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

Leader of the Art Nouveau movement and instigator of an entirely new approach to jewellery, René Lalique (1860-1945) started as an apprentice in 1876 at Louis Aucoc, a renowned Parisian silversmith and jeweller. He worked then as a designer for different jewellery houses and moved in 1890 to 20 rue Thérèse where he began his experiments with glass. By the 1890s, Lalique was using more motifs from nature, concentrating on unusual aspects of plants and flowers. He looked at the techniques from other areas of the decorative arts, such as glass, and introduced them into jewellery. Indeed, he dared to mix a valueless material with precious metal and gems. These moulded pieces were often repeated, as in this example. The Exposition Universelle in 1900 was the pinnacle of Lalique's success. He was hailed by art critics as the renovator and master of modern French jewellery; he won a Grand Prix and was awarded the rosette of the Légion d'Honneur. During a 1905 exhibition, Lalique was given full credit for his revolutionary approach to jewel design which had changed the course of jewellery and had "freed us from the tyranny of the diamond" (The Studio International, August 1905).