- 38
皮耶·博納爾
描述
- Pierre Bonnard
- 《一盤桃子》
- 款識:畫家蓋印 Bonnard(左下)
- 油彩畫布
- 36.5 x 43.3 公分
- 14 3/8 x 17 英寸
來源
Acquired from the above by the family of the present owners in the 1950s
出版
Condition
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."
拍品資料及來源
Throughout his career, Bonnard was always enthralled by light and colour, and this fascination received a fresh impetus during the artist’s stay on the Côte d’Azur. As James Elliott observed: ‘Bonnard was essentially a colorist. He devoted his main creative energies to wedding his sensations of color from nature to those from paint itself – sensations which he said thrilled and even bewildered him. Perceiving color with a highly developed sensitivity, he discovered new and unfamiliar effects from which he selected carefully, yet broadly and audaciously. […] Whether in narrow range or multitudinous variety, the colors move across the surface of his paintings in constantly shifting interplay, lending an extraordinary fascination to common subjects. Familiar sights – the pervading greenness of a landscape, the intensification of color in objects on a lightly overcast day – are given vivid life’ (J. Elliott, in Bonnard and His Environment (exhibition catalogue), The Museum of Modern Art, New York, 1964, p. 25).