溥儒 (1896-1963)

水墨紙本 鏡框

款識：
大千先生道席
頃聞尊體不適，深為馳念，知良晤有期，竊自慰也。大作承命題，就此中惟石綠石青無法使用，甚望來時選求此物。石綠用處尤多，奈何奈何！書畫所用之紙亦望物色。書紙則以細潤者為合用，小楷則麻性過多，亦嫌生澀。因所需用，故敢煩瀆，且非足下莫辦也。尊疾初愈，行旅之間，深宜珍攝。肅此頌祝旅安，不具。溥儒頓首

Foxing can be found on the painting, which can be improved by restoration. Otherwise, generally in good condition.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

王旦旦藏二十世紀名家書畫 （編號 1199－1228）

「王旦旦，名曦，已故書家王植波先生之女。初從周士心先生學畫梅；繼從趙少昂先生學花鳥草蟲；已而又從彭襲明先生學山水竹石；極為三君所奬掖。民國五十五年以吳嘉棠先生之介，來遊予門。挈之南居大風堂，近三年矣。用功甚力，人物仕女效李公麟、王舜國；山水竹石效石濤、漸江；書學唐人寫經；皆能各攝其神髓，不斤斤於繩墨。人極亢爽樸誠，無一點超時習氣。視予猶父，予亦視之猶子也。」
─ 大千居士爰識

上文乃大千先生親撰，字裡行間可見對這位女弟子寵愛有加。取名「旦旦」，亦為她投「大風堂」門下時，獲老師所賜。一九四九年生，上海人。父王植波（1924-1964），從事電影製片及劇本編寫，亦為著名書法家；母翁木蘭同擅丹青。她幼好藝術，書畫作品早獲賞識，譽曰「神童」。後赴巴西隨大千先生學藝，隨侍四年間，繪事益進，與沈潔、孫家勤、張師鄭同為巴西期間「大風堂」的入室弟子。曾先後於巴西、美國、港台等地舉辦個展。

本輯所集多屬老師送贈，亦有細意搜集之信札、菜單等，其中大千早歲書畫更為稀見。此外，兼及張善子、溥儒、唐雲等作品，或題材特別，或精心細繪，皆蔚然可觀，可知王氏鑑賞眼力不凡。另附香港前輩書畫家周士心、林建同之「植梅書屋圖」，乃為其父王植波所寫，亦証上世紀五、六十年代香江藝友之交誼。

註：大千心畬，藝壇合稱「南張北溥」，相知相交數十載。去國後，天涯相隔，仍不阻往來，大千東來亞洲，在港在台，多與老友相晤敍舊，復仰對方學養深湛，常出藏品或作品倩其添題補跋。本函內容即及其事，而大千素重作畫材料，屢往日本訂製選購，故心畬亦請托搜求。函末未署年，從內容推之，似屬五十年代中期以後所寫。