- 35
吳山明
估價
1,200,000 - 1,800,000 RMB
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招標截止
描述
- Wu Shanming
- 問道
- 款識
問道圖。恬靜之心境才會盛開智慧之蓮花。甲午，山明畫。鈐印
「吳山明印」、「觀自在」、「惠風和暢」。 - 設色紙本 鏡框
二〇一四年作
來源
中國私人收藏
Condition
Generally in good condition overall.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."
拍品資料及來源
吳山明是「浙派人物畫」的最具代表性的人物。從少年求學浙江美院附中到就讀浙江美院，后留校任教至今，吳山明的藝術道路已走過六十年矣。
在課徒授業的同時，吳山明一直筆耕不輟，勤奮探索水墨人物畫的新思路。在五十年代末至六十年代初的求學苦讀時期，西畫素描亦成為水墨畫系的必修課。
下鄉寫生採風是是一九四九年后中國藝術院校的一項重要科目，這種傳統一直延續至今。吳山明正是在西部高原採風的經歷中，那裡的人間淨土、強烈的光照、朴實虔誠的人民，深深觸發了吳山明的創作激情，僅用傳統的方式、技法已經不能充分呈現出藝術表達力，促就了他畫風的變革。
他把傳統水墨與西畫素描觀念結合融匯在人物畫裡，用宿墨，淡墨，用線，拓展了意筆人物畫的新技法，且一發不可收拾，並形成他獨特的樣貌。其作品最突出之處是宿墨的運用與中鋒用筆，並強化了水在畫面中的變化。
《問道》(拍品編號35) 突出的體現出吳山明在意筆人物畫技法上的成熟，近景中僧侶的描繪刻畫結實飽滿，其中一人雙手合十，眼神堅毅虔誠，一人閉目誦經。遠山清瀝，意境淡雅。