- 509
趙無極 天地牧歌 水彩、鋼筆紙本 一九五三年作
估價
1,200,000 - 2,000,000 HKD
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招標截止
描述
- Zao Wou-Ki (Zhao Wuji)
- watercolour and ink on paper
款識：
無極ZAO III 1953（右下）
無極ZAO III 1953（右下）
來源
亞洲私人收藏
Condition
This work appears in excellent condition, examined with the frame on.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."
拍品資料及來源
天地牧歌
50年代初期趙無極在歐洲諸國旅行，用刺繡般纖細的黑線條描繪了一系列帶有詩意的風景畫。1953年，趙無極開始了畫風的轉變，他憶述道：「靜物與花朵已不再，畫面出現的是一連串難以解讀的想像書寫。逐漸地，符號變成了形狀；而背景則成了空間。」誕生於此年的《天地牧歌》便是藝術家在這個風格過渡階段的創作。在此作品中，山巒被簡化，村落和人物的形象變得更抽象，任憑觀者聯想。透過背景水彩的暈染，趙無極創造了一個中國文人畫般氤闔飄渺的境象，如夢似幻。