維達雅

直接得自藝術家

The work is in good condition overall, as is the canvas, which is clear and taut. Indication of light wear and handling is evident around the edges of the painting, but paint layers are well-preserved. Upon close observation, a light craquelure is visible on the upper left (yellow paint). Under ultraviolet light examination reveals minor restorations predominantly on the bottom area (between the trees and animals) and on the top right and left margins. Framed.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

“Widayat’s works elicit a feeling of purity and silence. They draw the viewer gently into introspection. It seems that Widayat has the desire to correct the present and return us to the primordial past, to a more transcendental time.”

Agus Dermawan T., The Expression Paintings of Widayat, AIA Fine Art Foundation Jakarta, Indonesia, 1994, P. 2