陳文希

The work is in good condition overall. Indication of light wear and handling is evident around the edges of the painting inherent to the framing process. Upon close observation, there is indication of foxing predominantly scattered on the left branch area (white background), the right margin, the lower margin and on the lower center. Inspection under ultraviolet light shows no signs of retouching. Framed, under Plexiglas.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

Traditional Chinese painting distinguishes itself from any other genres of art through its primary concepts. With an emphasis on precision and detail, this style of painting at its core aims to depict figurative or narrative subjects with a fine, realistic approach.

Chen Wen Hsi, proficient in traditional Chinese ink paintings features five gibbons in this painting, gliding through the treetops done in a ‘Gong-bi’ style. Although these animals are rarely found in China, they have attained a symbolic meaning in Chinese art.

Gibbons were frequently featured in paintings and stories by Chinese writers and painters as early as the Song dynasty. They were seen to be noble, unlike the macaques- who often disrupted and stole from humans. In contrast, gibbons were often described as the ‘gentlemen of the forests’, with their human-like characteristics they were believed to be  animals which would one day evolve into humans.

This painting holds a lot of significance, as the number five serves an important message in Chinese numerology. The five blessing which are supposedly believed to bring good fortunes are featured by Chen through the gibbons in this piece, each portraying one of the five blessings; long life, luck, wealth, health and peace.