林子平

The work is in good condition overall, as is the paper, which is free from creases. Indication of light wear and handling is evident around the edges of the painting inherent to the framing process. Upon close observation, a "V" shaped hole is visible, measuring approximately 1.5 inches long altogether, along with signs of discoloration located at the top quadrant. Under ultraviolet light inspection shows no evidence of retouching. Framed, under Plexiglas.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

“It attempts perhaps to convey the true nature of art which is ephemeral in its spirit: forms, line and colour, scenes, history, socio-cultural elements all meeting in places, which are fleeting in a space that is beyond time. We orientate ourselves through Lim Tze Peng, who grasps the true nature of so many things so well.”

Bridget Tracy Tan, Fascinating Landscapes, Singapore Art Museum, Singapore, 1998, P.30