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羅納德·溫杜拿
描述
- 羅納德・溫杜拿
- 《人物系列裝置》
- 款識:藝術家簽名並紀年2005
- 油彩畫布,樹脂,共十六部分
- 繪畫:15 x 11.5 公分;5 3/4 x 4 1/2 英寸(5),15.5 x 11.5 公分;6 x 4 1/2 英寸(7)
- 雕塑:i)41 x 9 x 11.5 公分;16 x 3 1/2 x 4 1/2 英寸 ii)39 x 9 x 11 公分;15 1/4 x 3 1/2 x 4 1/2 英寸 iii)33 x 9 x 10 公分;13 x 3 1/2 x 4 1/2 英寸;36 x 9 x 11 公分;14 x 3 1/2 x 4 1/2 英寸(4)
來源
Condition
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."
拍品資料及來源
In the mixed media work, each painting is made distinct by the different postures, gestures or facial expressions that embody the pieces. The installation seeks to analyze viewers’ perception about the human figure, and engage them in a visual discourse on the physical body. The male nude is a common motif in Ventura’s oeuvre. Gender awareness in artistic expression has evolved to become a cultural norm. The artist plays with this notion in the present work, by challenging aesthetics and popular constructs.
Ventura’s exploration of the human body continues with the four hand-painted sculptures made out of fiberglass. The hallowed bodies do not have arms or limbs, the artist choosing instead to direct the audience’s attention to the sculptures' torsos to become the focal point of the piece. Throughout Ventura’s artworks, there is a sense of mystery that engages the viewer to look deeper into the underlining message of each piece.
In a recent interview, Ventura said, "I see my works as signifiers of a context because I created them in a certain place, and that I, as an artist, am informed by a certain culture. I don’t believe art can resolve anything, really. It is an expression. I am trying to convey a sense of helplessness of living within a system that is obviously not working for most of its people. It happens that I am an artist and this is my way of dealing with it, visualizing it. Much like what the media does. I am just a mediator.”