拍品 284
  • 284

安迪斯·巴里奧昆圖

估價
90,000 - 150,000 HKD
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招標截止

描述

  • Andres Barrioquinto
  • 《武士舞蹈之夜》
  • 款識:畫家簽名並紀年2013
  • 油彩畫布,共三部分
  • 各 121 x 152 公分;47 1/2 x 60 英寸
  • 整體 121 x 456 公分;47 1/2 x 179 1/2 英寸

Condition

This work is in good condition overall, as is the canvas, which is clear and taut. There is light wear and handling around the edges of the painting. Examination under ultraviolet light reveals no evidence of restoration. Unframed, on a stretcher.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

拍品資料及來源

Inspired by the Japanese screens, Night of the Warrior Dance portrays a fascinating tale. Centuries ago, the Emperor of the East declared war against his brother, the Emperor of the West. The Lady of High Palace was the treasured reward bequeathed to the noblest warrior of all. Henceforth, the brutal battle went on for one year. The twelve birds represent the twelve months that passed while the cherry blossoms signify the tribes who pledged allegiance to the brothers in battle. To the left is the defeated Emperor of the East, who eventually retreated due to a festering wound. His misfortune is reflected upon his eyes and his frozen, speechless expression. To the right is the champion Emperor of the West, who looks into the distance courageously. Tilting his chin slightly, he beams in arrogance. His thoughts, cleverly illustrated in the manner of Japanese ukiyo-e prints, depict the fight between the two warriors. Like a vision, the course of action is superimposed onto the Lady of High Palace, right before her eyes. Here, Andres Barrioquinto demonstrates his immense talent in compositions so complex that stories unfold themselves before the beholder.