拍品 351
  • 351

李曼峰

估價
600,000 - 800,000 HKD
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描述

  • 李曼峰
  • 《紡線》
  • 款識:畫家簽名並蓋印兩枚
  • 油彩纖維板
  • 122 x 60公分;48 x 23 1/2英寸

Condition

The work is in good condition overall. There are indications of minor wear and handling around the edges. Under ultraviolet light inspection there is no evidence of restoration. The board is free from cracking and warping. The color of the phyiscal painting has a more earthy tone than illustrated in the catalouge. Framed.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

拍品資料及來源

李曼峰在東南亞畫壇舉足輕重,其畫作受印尼風俗文化及人物生活影響深遠。《紡線》畫中的年輕女郎意態嬌媚,專注投入織布,懶理閒人目光,星眸低垂,幽婉別臉,著人窺看,是李氏最喜歡的農村生活作畫主題之一。

李曼峰之所以喜愛描寫室內活動主題,是出於對印尼畫家協會及印度荷蘭藝術圈之間緊張關係的回應,李氏透過其畫作,展現對平凡、和諧、隱定的生活的唯美追求。

李氏畫作,掌握中國畫中所講求之「氣韻生動」,畫中人物都以神似而非單單以形似為精髓,女郎跪坐,恭事織紡,玉纖柔柔繫紡線,佳人嫵媚意瞭人。

畫中花卉,呈傳統中國畫風格,但畫中人形象鮮明突出,其衣裳及織布機皆用色豐富,而背景之樹木則顯得漸退隱後。

然而,此畫主題,諸如仕女美態,著色應用,都受西方藝術影響。仕女形象取源於曾以其性感峇里女郎重塑裸女畫派的荷蘭畫家威廉·賀夫卡。李曼峰筆下的女郎,就如其時諸家畫派一樣,建基於畫家心中至美至媚的當地女郎形象。

《紡線》為畫家對女性崇高敬意的表現。織女清心專事,婉柔動人,觀畫彷若聽織,聲促,軋軋鳴梭穿屋。