- 1430
李可染 (1907-1989)
估價
600,000 - 800,000 HKD
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招標截止
描述
- 李可染
- 李可染 煙消日出不見人 設色紙本 鏡框
- ink and colour on paper, framed
款識：
煙消日出不見人，欵乃一聲山水綠。
此從廢畫裁剪一段，畫法與今不同，故留之。
鈐印：「可染」。
煙消日出不見人，欵乃一聲山水綠。
此從廢畫裁剪一段，畫法與今不同，故留之。
鈐印：「可染」。
來源
一九九二年三月得於香港
Condition
-Generally in very good condition.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."
拍品資料及來源
註：可染先生作畫，惜墨如金，產量較少，作品偶有局部欠完善者，
或自行動手挖去，修飾改寫畢方補回原畫。態度嚴謹，可見一斑。本
幅謂「從廢畫剪裁一段」，其意與上述者相若，應為整幅未符要求，但
此巖畔小舟一段卻有可觀，遂捨大留小，截取本幅，復添題記之。又
稱「畫法與今不同」，可知畫家視此為階段性畫風之典型，故留置作風
格演變之對比，未署年，似屬七十年代初期所出。
或自行動手挖去，修飾改寫畢方補回原畫。態度嚴謹，可見一斑。本
幅謂「從廢畫剪裁一段」，其意與上述者相若，應為整幅未符要求，但
此巖畔小舟一段卻有可觀，遂捨大留小，截取本幅，復添題記之。又
稱「畫法與今不同」，可知畫家視此為階段性畫風之典型，故留置作風
格演變之對比，未署年，似屬七十年代初期所出。