- 3055
清乾隆 粉彩描金「無量壽佛」坐像
估價
8,000,000 - 10,000,000 HKD
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招標截止
描述
此為高估價拍賣品。蘇富比可要求有意競投高估價拍賣品的顧客填寫預先登記申請表並交付蘇富比港幣2,500,000元，或由蘇富比決定較高金額訂金及財務狀況証明﹑擔保或／及其他由蘇富比全權酌情要求的抵押，以作為參加蘇富比競投之保障。即投BIDnow網上競投服務並不適用於高估價拍賣品。
來源
香港蘇富比2001年10月29日，編號606
Condition
Apart from some surface scratches and minor enamel flakes to the top ornament and the lotus pedestal, the overall condition is extremely good. The pedestal is attached to the figure by clay. There are some losses and flakes to the clay, but the figure is still securely bonded to the pedestal.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."
拍品資料及來源
While a small number of famille-rose figures of Avalokitesvara are known in museums and private collection around the world, the present example is especially fine for its detailed and well preserved enamelling and most naturalistic sculptural depiction. Avalokitesvara is known as the 'Protector of the World' and is the subject of the twenty-fourth chapter of the Lotus Sutrain which he is described as one who looks in all directions in order to save all beings from suffering. He communicates with the Buddha Amitabha and legends claim that he was born from a ray of light emanating from the right eye of Amitabha. While in some cultures Avalokitesvara is worshipped as a male bodhisattva, in China he has taken on a more feminine character and physique. An avid follower of Tibetan Buddhism, the Qianlong Emperor associated this compassionate saviour with the Tibetan spiritual leaders including the Dalai Lamas who were believed to be Avalokitesvara in human form.
The adoration of brightly coloured deities has a very long tradition in Tibetan Buddhism and the wide colour range available in the famille-rose palette made porcelain an ideal medium to create such Buddhist figures. However, the making of such figures required the highest level of workmanship due to the complicated modelling and repeated firing necessary to achieve the perfect result. Hence the number of figures produced remained small and were mainly for the temples of the imperial palace precincts.
The present figure is unusual for the colouration of the body which has been painted with a flesh-like powdered pink enamel. More common are those that are brightly gilded to simulate gilt-bronze figures of Avalokitesvara that were popular at the time. A figure of related model said to have come from the Imperial Palace, was included in the Exhibition of Chinese Arts, Messrs. C.T. Loo & Co., New York, 1941, cat. no. 750. Another gilded version was sold in our London rooms, 13th November 2002, lot 156A; and further two in our Hong Kong rooms 15th May 1990, lot 245 and 29th October 2002, lot 606. Smaller and less elaborately decorated versions of these famille-rose figures are also known; see a pair illustrated in Qingdai ciqi shangjian, Hong Kong, 1994, pl. 232.
A famille-rose figure of the Bodhisattva Green Tara, who represents all of the miracles of the Buddha of the Past, Present and Future, sold in our London rooms, 12th November 2003, lot 259, is worth comparing with the present example. While the Green Tara is depicted seated with her right leg extended forward and her body covered in green enamel, her facial expression is almost identical to this piece suggesting that the two figures were made by the same artist. See also a figure of White Tara, her body painted white, also most probably the product of the same workshop, sold at Christie's New York, 18th September 2003, lot 371.
The adoration of brightly coloured deities has a very long tradition in Tibetan Buddhism and the wide colour range available in the famille-rose palette made porcelain an ideal medium to create such Buddhist figures. However, the making of such figures required the highest level of workmanship due to the complicated modelling and repeated firing necessary to achieve the perfect result. Hence the number of figures produced remained small and were mainly for the temples of the imperial palace precincts.
The present figure is unusual for the colouration of the body which has been painted with a flesh-like powdered pink enamel. More common are those that are brightly gilded to simulate gilt-bronze figures of Avalokitesvara that were popular at the time. A figure of related model said to have come from the Imperial Palace, was included in the Exhibition of Chinese Arts, Messrs. C.T. Loo & Co., New York, 1941, cat. no. 750. Another gilded version was sold in our London rooms, 13th November 2002, lot 156A; and further two in our Hong Kong rooms 15th May 1990, lot 245 and 29th October 2002, lot 606. Smaller and less elaborately decorated versions of these famille-rose figures are also known; see a pair illustrated in Qingdai ciqi shangjian, Hong Kong, 1994, pl. 232.
A famille-rose figure of the Bodhisattva Green Tara, who represents all of the miracles of the Buddha of the Past, Present and Future, sold in our London rooms, 12th November 2003, lot 259, is worth comparing with the present example. While the Green Tara is depicted seated with her right leg extended forward and her body covered in green enamel, her facial expression is almost identical to this piece suggesting that the two figures were made by the same artist. See also a figure of White Tara, her body painted white, also most probably the product of the same workshop, sold at Christie's New York, 18th September 2003, lot 371.