拍品 218
  • 218

清嘉慶 御製松石綠地粉彩纏枝蕃蓮葫蘆鼻煙壺 《嘉慶年製》款

估價
150,000 - 180,000 HKD
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描述

  • 《嘉慶年製》款
  • porcelain
with a flat lip and no foot, the double-gourd form painted with a formalized design repeated on each main side of flowers with an Indian lotus metamorphosing into a peach beneath another flower and a formalized shou character in seal script, three formalized flower heads on the narrow sides straddling the gap between the two main designs, all elements of the design outlined in gold in imitation of exposed cloison borders, the base inscribed with the four-character seal mark in gold enamel, the lip painted in gold enamel; the gilt-silver stopper chased with a formalized floral design

來源

John Ault 收藏
Robert Kleiner,倫敦,2005年

出版

Hugh Moss、Victor Graham 及曾嘉寶,《A Treasury of Chinese Snuff Bottles: The Mary and George Bloch Collection》,卷6,香港,2007年,編號1251

Condition

There is some wear to the gold enamel on the lip and to the mark; otherwise the snuff bottle is in overall good condition.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

拍品資料及來源

This bottle blongs to a rare group of bottles that imitate cloisonné enamel, with the painted gold lines surrounding the elements of the design representing gilt copper wires. Several sets of similar bottles survive, mostly in the imperial collection in Taipei. They vary in form and in the details of the formalized floral designs, although all are of the same colour combination and all are set on a turquoise-blue ground that is paler than the standard for cloisonné. All have their original stoppers, made of porcelain but imitating coral with gilt-bronze finials and collars, a standard for sets of Jingdezhen imperial porcelain bottles of the late-Qianlong and Jiaqing reigns.