拍品 196
  • 196

清乾隆 / 嘉慶 白玉浮雕「螭龍逐珠」圖蓋瓶式鼻煙壺 或御作坊製

估價
80,000 - 100,000 HKD
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描述

carved with a continuous design of a chilong chasing a flaming pearl, which rests on a formalized wisp of cloud; the original jade stopper with integral collar, finial and ‘cork’

來源

中易公司,香港
Hugh M. Moss Ltd,香港,1994年

展覽

以色列博物館,耶路撒冷,1997年

出版

Hugh Moss、Victor Graham 及曾嘉寶,《A Treasury of Chinese Snuff Bottles: The Mary and George Bloch Collection》,卷1,香港,1996年,編號99

Condition

The snuff bottle is in overall very good condition. There is a flaw in the material in the neck resembling a crack, but which is part of the original material. The actual colour of the stone is more pale celadon, less white compared to the catalogue illustration.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

拍品資料及來源

This snuff bottle has several imperial features that together support a tentative attribution to the Palace workshops. It is adequately but not painstakingly hollowed through a wide mouth, has the flattened palace neck rim which appears on a number of nephrite bottles attributable to the court (see, for instance, lot 174 in the present sale) and retains its original stopper of typical Beijing shape.

The use of the chilong for the main decoration also supports a Palace workshops attribution. Chilong were particularly popular in court decoration during the Qing dynasty, and particularly so during the Qianlong period, and are rarely found as primary decoration outside of Beijing.