清乾隆 青白料鋪獸首鼻煙壺 御作坊製

of semi-transparent pale green glass, crizzled and unevenly suffused with air bubbles of various sizes, with a slightly concave lip and a protruding flat foot, carved with raised, very slightly convex circular panels on each main side, the narrow sides with mask-and-ring handles; the coral stopper with a jadeite finial and vinyl collar

遠東收藏
香港佳士得1992年4月1日，編號1584

《盈寸纖研 ─ 瑪麗及佐治伯樂鼻煙壺珍藏》，香港藝術館，香港，1994年，編號77
新加坡國家博物館，新加坡，1994-1995年

Hugh Moss、Victor Graham 及曾嘉寶，《A Treasury of Chinese Snuff Bottles: The Mary and George Bloch Collection》，卷5，香港，2002年，編號788

Apart from some light surface wear, the snuff bottle is in very good condition. The lip and footrim are in good condition. The actual colour is slightly warmer compared to the catalogue illustration.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

The present piece belongs to a small group of bottles of this lovely and distinct colour, one of which identifies it with the Palace and with the Qianlong emperor. A comparable example in the J & J Collection bears the mark Qianlong yuwan (‘For the imperial enjoyment of the Qianlong emperor’); see Moss, Graham, and Tsang 1993, no. 334.

Crizzling, as seen on this example, shapes and reign marks, allow us to date the entire group to the earlier part of the Qianlong reign. Raised circular panels of this type also feature on the only known enamelled glass snuff bottle attributable to the late Kangxi period (Moss, Graham, and Tsang 1993, no. 183).

The mask-and-ring handles also suggest an early date. Compare the well-known Yongzheng marked turquoise bottle (Snuff Bottles of the Ch’ing Dynasty 1978, no. 38), with similar small rings in relation to the masks. Another feature of this example that may indicate a date earlier in the evolution of the mask handle on snuff bottles is that the beast has a distinct jowl beneath its nose, although otherwise the formalization is of the standard type. The treatment of the jaw here suggests a degree of realism, whereas once such masks became a standard feature added to large numbers of bottles as a matter of course, details were simplified and the jaw tends to disappear. 

The appeal of this bottle can be attributed to a number of different features: the lovely colour, intriguing crizzling, delightful and elegant shape, superbly carved mask-and-ring handles, perfect formal integrity, and the high skills of both glassblower and lapidary, not to mention its association with the court and conceivably even the emperor himself.