- 6
亞德里安·莫羅
招標截止
描述
- Adrien Moreau
- 《銀婚典禮》
- 款識：畫家簽名並紀年 Adrien Moreau 1879（左下）
- 油彩畫布
- 94 x 132.5 公分；37 x 52 英寸
來源
M. 布拉（1879年）
售出：倫敦佳士得，1968年7月12日，拍品編號46
售出：倫敦佳士得，1996年11月21日，拍品編號185
麥克納·馬森，倫敦
現藏家於1997年購自上述藏家
售出：倫敦佳士得，1968年7月12日，拍品編號46
售出：倫敦佳士得，1996年11月21日，拍品編號185
麥克納·馬森，倫敦
現藏家於1997年購自上述藏家
展覽
巴黎「沙龍展」，1879年，品號2178
出版
艾米爾·貝里耶·德·拉·舍維尼與路易·奧雷，《法國學派藝術家字典全集》，巴黎，1885年，第 II 冊，第120頁，載錄
Condition
The canvas has been relined. There are extremely faint vertical lines across the surface, likely attributable to the canvas being taken off of its stretcher at one point. Under ultraviolet light there are signs of retouching addressing fine craquelure associated with these lines, and a small spot in the column above the flautists. The appearance of this work is good and it is clean and ready to hang.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."
拍品資料及來源
畫作《銀婚典禮》中描繪的是十七世紀一對富裕夫婦的二十五週年慶。他們身穿華服，步出庭院，接受賓客的祝福。桌邊的老紳士向他們舉杯致意（應為夫婦一方的父親）、音樂家坐在長凳上、女傭從窗口漾着微笑。莫羅為觀者帶來入微細節，此風格可回溯到十七世紀荷蘭畫家的風俗畫，其中以加百利·梅特蘇（1629-1667年）最為重要。這種風格於十九世紀在尚·恩尼斯特·梅森尼的帶動下再現，其畫作極受當時日漸富裕的歐洲與美國中產人士歡迎，洛陽紙貴﹑一畫千金。
莫羅曾就讀巴黎美術學院，師從伊薩多·皮爾，並於1868年首次參與巴黎「沙龍展」。於1876年獲沙龍頒發二等勳章，1899年和1900年世界博覽會獲銀獎，1892年獲騎士榮譽軍團勳章。此次為您呈獻的作品便是大幅風俗畫中的佳選，另外，莫羅也作書本插圖，較為人所熟知的是1893年所出版的伏爾泰著《憨第德》（Candide）。
莫羅曾就讀巴黎美術學院，師從伊薩多·皮爾，並於1868年首次參與巴黎「沙龍展」。於1876年獲沙龍頒發二等勳章，1899年和1900年世界博覽會獲銀獎，1892年獲騎士榮譽軍團勳章。此次為您呈獻的作品便是大幅風俗畫中的佳選，另外，莫羅也作書本插圖，較為人所熟知的是1893年所出版的伏爾泰著《憨第德》（Candide）。