- 573
羅中立 吹渣渣 油彩畫布 一九八四年作
估價
2,000,000 - 3,000,000 HKD
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招標截止
描述
- Luo Zhongli
- oil on canvas
款識：
Luo 中立 1984.6（左下）
Luo 中立 1984.6（左下）
來源
美國私人收藏
Condition
This work is in excellent condition. There is no evidence of restoration under UV.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."
拍品資料及來源
羅中立─吹渣渣
對於羅中立而言，鄉村生活簡樸而不枯燥，反而能夠突顯人類同舟共濟、相濡以沫的溫情，而這亦是他甘於留守鄉土，繼續挖掘其藝術性的源動力。《吹渣渣》取材自鄉間生活常見的一幕：山野叢林風沙甚大，行走其間容易瞇眼。在孩提時代，許多人都有父母替自己吹走眼中浸染砂子的經歷；而在農村之中，這種互相「吹渣渣」的行為，即使在年青男女之間仍然持續。
畫中人物或為兄妹、或為情侶，藝術家在此並不著意地展示他所擅長的細節寫實功力，反而淡化人物輪廓，而讓觀眾將焦點集中在人物的身體語言：男孩子粗中有細，在丁丁伐木的過程中發現女孩有灰塵進眼，立即放下工作，輕輕地為她吹掉渣子；女孩目不能視，似乎輕輕皺著眉頭，但是身體卻非常放鬆，任由男孩替他舒緩不適，兩人的身體語言表現出對彼此的充份信任。
相比城市人在豐裕物質中彼此疏離、互相傾軋，樸素的鄉村生活反而讓人與人的關係更為親密，亦因為克服大自然的挑戰而更形團結。法國寫實主義大師米勒（Jean Francois Millet）同樣熱衷於農村題材，其色彩不取明艷，而回歸鄉土本身的沉穩，在當時崇尚華麗旖旎的貴族風尚中別具一格。《吹渣渣》以黃彩為主調，除了突顯山區的乾燥荒蕪，似乎亦象徵了秋季的氣候，與樹葉落盡、叢草褐黃的背景吻合，亦為刮起風沙的情節提供合理依據，而其明亮光線之運用，亦照亮了簡樸的生活，與米勒的昏暗相比，流露一派樂觀積極。
對於羅中立而言，鄉村生活簡樸而不枯燥，反而能夠突顯人類同舟共濟、相濡以沫的溫情，而這亦是他甘於留守鄉土，繼續挖掘其藝術性的源動力。《吹渣渣》取材自鄉間生活常見的一幕：山野叢林風沙甚大，行走其間容易瞇眼。在孩提時代，許多人都有父母替自己吹走眼中浸染砂子的經歷；而在農村之中，這種互相「吹渣渣」的行為，即使在年青男女之間仍然持續。
畫中人物或為兄妹、或為情侶，藝術家在此並不著意地展示他所擅長的細節寫實功力，反而淡化人物輪廓，而讓觀眾將焦點集中在人物的身體語言：男孩子粗中有細，在丁丁伐木的過程中發現女孩有灰塵進眼，立即放下工作，輕輕地為她吹掉渣子；女孩目不能視，似乎輕輕皺著眉頭，但是身體卻非常放鬆，任由男孩替他舒緩不適，兩人的身體語言表現出對彼此的充份信任。
相比城市人在豐裕物質中彼此疏離、互相傾軋，樸素的鄉村生活反而讓人與人的關係更為親密，亦因為克服大自然的挑戰而更形團結。法國寫實主義大師米勒（Jean Francois Millet）同樣熱衷於農村題材，其色彩不取明艷，而回歸鄉土本身的沉穩，在當時崇尚華麗旖旎的貴族風尚中別具一格。《吹渣渣》以黃彩為主調，除了突顯山區的乾燥荒蕪，似乎亦象徵了秋季的氣候，與樹葉落盡、叢草褐黃的背景吻合，亦為刮起風沙的情節提供合理依據，而其明亮光線之運用，亦照亮了簡樸的生活，與米勒的昏暗相比，流露一派樂觀積極。