- 539
朱德群 千里泓光 油彩畫布 一九六八年作
估價
4,800,000 - 6,000,000 HKD
招標截止
描述
- Chu Teh-Chun
- oil on canvas
款識：
朱德群 CHU TEH-CHUN 68（右下）CHU TEH-CHUN 朱德群 No. 297 1968（背面）
朱德群 CHU TEH-CHUN 68（右下）CHU TEH-CHUN 朱德群 No. 297 1968（背面）
來源
歐洲私人收藏
Condition
The work is overall in very good condition. There are slight abrasions along the edges and scattered light accretions along the surface. There is a tiny scratch next to the top left corner. There is no evidence of restoration under UV light.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."
拍品資料及來源
江山如畫 萬壑金川
朱德群六○年代《千里泓光》
朱德群的抽象創作，一直勇於試驗和突破。與他相知多年的藝評家皮埃．卡班納（Pierre Cabane）曾經如此評論：「抽象不是目的，甚至不是手段，而是一個過渡。德群並沒有脫離自然，他不排斥自然的事實，而是將它融入富於個人感知和傳承的語言。他沒有廢除形式，而是用顏料從形式中提煉效果。」卡班納的言論，代表西方人透過朱德群的作品，觸及中國藝術「外師造化，中得心源」與「超乎象外，得其圜中」的核心觀念。
六○年代，朱德群以深厚的東方底蘊創作抽象，透過提煉書法線條的表現性，以及對於自然山川的敏銳感知，建立起清晰的個人風格。《千里泓光》穩重大氣，其畫面以約呈三角形的山嶽結構居中，使澄黃明亮的色彩居高臨下，有如汨汨源源的一道金川，向左右兩邊奔瀉流淌，延展畫面寬度。藝術家醉心水墨，在油畫作品中，他的深邃用色，可以視為墨意的延伸，而明亮、豐富的色彩，則是從西方汲取之養份，透過墨色與純色交滙對比，營造戲劇化的視覺效果，為他日後在光與影效果的追求埋下伏筆。
相對日後喜用大量麻仁油稀釋顏料，藝術家此時用彩濃稠，在半厚塗之中揮灑書法，格外硬朗剛健，其以修長線條左右縱橫，更加撩動了金璨的色彩動勢，山嶽的頂端千岩萬壑，似乎藝術家的胸中塊壘，都付諸畫布之上。朱德群此時被巴黎藝壇稱為「二十世紀的宋代畫家」，欣賞《千里泓光》，不禁讓人遙想北宋文豪蘇東坡遊覽赤壁時所吟誦的詞句：「亂石穿空，驚濤裂岸，捲起千堆雪。江山如畫，一時多少豪傑。」藝術家的偌大氣魄，在此表露無遺。
朱德群六○年代《千里泓光》
朱德群的抽象創作，一直勇於試驗和突破。與他相知多年的藝評家皮埃．卡班納（Pierre Cabane）曾經如此評論：「抽象不是目的，甚至不是手段，而是一個過渡。德群並沒有脫離自然，他不排斥自然的事實，而是將它融入富於個人感知和傳承的語言。他沒有廢除形式，而是用顏料從形式中提煉效果。」卡班納的言論，代表西方人透過朱德群的作品，觸及中國藝術「外師造化，中得心源」與「超乎象外，得其圜中」的核心觀念。
六○年代，朱德群以深厚的東方底蘊創作抽象，透過提煉書法線條的表現性，以及對於自然山川的敏銳感知，建立起清晰的個人風格。《千里泓光》穩重大氣，其畫面以約呈三角形的山嶽結構居中，使澄黃明亮的色彩居高臨下，有如汨汨源源的一道金川，向左右兩邊奔瀉流淌，延展畫面寬度。藝術家醉心水墨，在油畫作品中，他的深邃用色，可以視為墨意的延伸，而明亮、豐富的色彩，則是從西方汲取之養份，透過墨色與純色交滙對比，營造戲劇化的視覺效果，為他日後在光與影效果的追求埋下伏筆。
相對日後喜用大量麻仁油稀釋顏料，藝術家此時用彩濃稠，在半厚塗之中揮灑書法，格外硬朗剛健，其以修長線條左右縱橫，更加撩動了金璨的色彩動勢，山嶽的頂端千岩萬壑，似乎藝術家的胸中塊壘，都付諸畫布之上。朱德群此時被巴黎藝壇稱為「二十世紀的宋代畫家」，欣賞《千里泓光》，不禁讓人遙想北宋文豪蘇東坡遊覽赤壁時所吟誦的詞句：「亂石穿空，驚濤裂岸，捲起千堆雪。江山如畫，一時多少豪傑。」藝術家的偌大氣魄，在此表露無遺。