- 506
吳冠中 石塘山下人家 碳素墨水、水彩紙本 一九八二年作
估價
400,000 - 600,000 HKD
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招標截止
描述
- 吳冠中
- carbonic ink and watercolour on paper
款識：
石塘 八二年 荼 藝術家鈐印（右下）
石塘 八二年 荼 藝術家鈐印（右下）
來源
亞洲重要私人收藏
出版
〈吳冠中全集1〉水天中、汪華主編，湖南美術出版社出版，長沙，二〇〇七年，二百〇二頁，彩圖
Condition
This work is in excellent condition.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."
拍品資料及來源
石塘山下人家
寫生是吳冠中的創作基石，在留學法國期間，藝術家已經穿梭於巴黎的大街小巷寫生，鍛練出紮實的速寫技巧，歸國之後，他更將巴黎的藝術種子投入中國土地，發展出自己的獨特風格。儘管照片能夠作為油畫創作的參考，吳冠中卻認為速寫才是作品的胚胎，具有獨立的藝術價值。他曾經指出：「速寫寫形、寫神、寫情，捕捉素材，捕捉感受，捕捉構思、構圖。慧眼識美醜，作者在蕪雜的物象中提取美之精靈，須動手術，移花接木，移山倒海。速寫似乎是我的手術刀，我的構思與構圖，多半是先在速寫中成形。」
《石塘山下人家》以硬筆速寫融合彩墨呈現眼前風景，透過粗、細兩種筆觸，構建出鄉村人家與崇山峻嶺。以幾何形狀為主的前景刻劃入微，組成幾種或整齊、或參差的石壁，並簡潔、準確地捕捉白牆黑瓦的民居特徵；以線條勾勒為主的背景則率性馳騁，塑造出高聳崢嶸的自然地勢，兩者對比強烈。儘管速寫確立了畫面構圖，其彩墨著色卻並不囿於線條框架，而是隨興之所致點染漫塗，半透明的銀灰賦予山的厚重，亦點綴了前景石壁，而紛繽奪目的青、黃、紅、橘諸色，更是神來之筆，既象徵了鄉村裡的人間氣息，亦指涉了山上的草木生機，一派閒適自在。
寫生是吳冠中的創作基石，在留學法國期間，藝術家已經穿梭於巴黎的大街小巷寫生，鍛練出紮實的速寫技巧，歸國之後，他更將巴黎的藝術種子投入中國土地，發展出自己的獨特風格。儘管照片能夠作為油畫創作的參考，吳冠中卻認為速寫才是作品的胚胎，具有獨立的藝術價值。他曾經指出：「速寫寫形、寫神、寫情，捕捉素材，捕捉感受，捕捉構思、構圖。慧眼識美醜，作者在蕪雜的物象中提取美之精靈，須動手術，移花接木，移山倒海。速寫似乎是我的手術刀，我的構思與構圖，多半是先在速寫中成形。」
《石塘山下人家》以硬筆速寫融合彩墨呈現眼前風景，透過粗、細兩種筆觸，構建出鄉村人家與崇山峻嶺。以幾何形狀為主的前景刻劃入微，組成幾種或整齊、或參差的石壁，並簡潔、準確地捕捉白牆黑瓦的民居特徵；以線條勾勒為主的背景則率性馳騁，塑造出高聳崢嶸的自然地勢，兩者對比強烈。儘管速寫確立了畫面構圖，其彩墨著色卻並不囿於線條框架，而是隨興之所致點染漫塗，半透明的銀灰賦予山的厚重，亦點綴了前景石壁，而紛繽奪目的青、黃、紅、橘諸色，更是神來之筆，既象徵了鄉村裡的人間氣息，亦指涉了山上的草木生機，一派閒適自在。