- 540
朱德群 構圖No. 61 油彩畫布 一九六○年作
估價
4,600,000 - 5,800,000 HKD
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招標截止
描述
- Chu Teh-Chun
- oil on canvas
款識:
CHU TEH-CHUN 朱德群(左下)CHU TEH-CHUN 朱德群 1960 No. 61(畫背)
CHU TEH-CHUN 朱德群(左下)CHU TEH-CHUN 朱德群 1960 No. 61(畫背)
來源
美國重要私人收藏家族直接購自藝術家本人
Condition
The work is overall in good condition. There is a paint loss at the upper middle area. There is a paint loss near the middle of the bottom border. There is a minor paint loss near the middle of the upper edge. There are some tiny molds on the middle left part of the work. There is no evidence of restoration under UV light.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."
拍品資料及來源
其疾如風,其徐如林
《構圖No.61》是朱德群作品之典型,米白色的背景呼應國畫中宣紙和絹本的質感,上面鑲嵌一顆顆如紅寶石般的色塊,並揮灑出汪洋恣意的黑色線條。藝術家對於繪畫線條的注重,相信與杭州藝專不無關係。同樣出身藝專的席德進,曾提到林風眠「教我學會用線去表現體」,而趙無極在五○年代,亦利用線條追求抽象,證明杭州諸子下山之初,仍然具有本門色彩。
在現代主義裡,當現實的形體不再被強調,抽象的結構即成為主角。戰後的巴黎藝術家,如哈同(Hans Hartung)、蘇拉吉(PierreSoulages)等,紛紛以線條開拓一己之路,朱德群以書法線條進入抽象領域,具有劃時代的意義。朱德群愛好書法,亦有書法作品傳世,但其作品中的線條,卻已不再具有漢字的表意性,取而代之的,是現代藝術對於線性的抽象詮釋。曳長的對角線式構圖,使得《構圖No.61》的力量倍添遒勁,其短促如跳躍,在酣暢淋漓的長形筆觸之下,空間獲得了最大化的善用。
「構圖」不等於「無題」,而是藝術家利用最基本的造形元素,呈現不著形跡的觀念與感受。文學家聞一多曾經提出新詩的「三美」原則:建築美、音樂美和繪畫美。聞氏在美國主修繪畫,日後才轉攻文學。他的觀點亦通於創作上,繪畫亦需要建築結構、音樂律動與詩意之美,對於朱德群畢生專注的「抒情抽象」而言,尤其恰當,而「構圖」正是流動的音樂和詩意的凝固狀態,形成畫面上的建築。《構圖No.61》把書法線條的長、短、動、靜發揮得恰如其分,盡顯東方線條與西方抽象交滙下的多變形態,以「其疾如風,其徐如林」(《孫子兵法.軍爭》)形容至為貼切。
《構圖No.61》是朱德群作品之典型,米白色的背景呼應國畫中宣紙和絹本的質感,上面鑲嵌一顆顆如紅寶石般的色塊,並揮灑出汪洋恣意的黑色線條。藝術家對於繪畫線條的注重,相信與杭州藝專不無關係。同樣出身藝專的席德進,曾提到林風眠「教我學會用線去表現體」,而趙無極在五○年代,亦利用線條追求抽象,證明杭州諸子下山之初,仍然具有本門色彩。
在現代主義裡,當現實的形體不再被強調,抽象的結構即成為主角。戰後的巴黎藝術家,如哈同(Hans Hartung)、蘇拉吉(PierreSoulages)等,紛紛以線條開拓一己之路,朱德群以書法線條進入抽象領域,具有劃時代的意義。朱德群愛好書法,亦有書法作品傳世,但其作品中的線條,卻已不再具有漢字的表意性,取而代之的,是現代藝術對於線性的抽象詮釋。曳長的對角線式構圖,使得《構圖No.61》的力量倍添遒勁,其短促如跳躍,在酣暢淋漓的長形筆觸之下,空間獲得了最大化的善用。
「構圖」不等於「無題」,而是藝術家利用最基本的造形元素,呈現不著形跡的觀念與感受。文學家聞一多曾經提出新詩的「三美」原則:建築美、音樂美和繪畫美。聞氏在美國主修繪畫,日後才轉攻文學。他的觀點亦通於創作上,繪畫亦需要建築結構、音樂律動與詩意之美,對於朱德群畢生專注的「抒情抽象」而言,尤其恰當,而「構圖」正是流動的音樂和詩意的凝固狀態,形成畫面上的建築。《構圖No.61》把書法線條的長、短、動、靜發揮得恰如其分,盡顯東方線條與西方抽象交滙下的多變形態,以「其疾如風,其徐如林」(《孫子兵法.軍爭》)形容至為貼切。