Sokari Douglas Camp

Commissioned by the Jerwood Charitable Foundation in 2002

Ragley Hall, Warwickshire (2002 to present).

Generally the work is in good overall condition. There is rust spotting around the joins and a few minor spots of paint loss on the mask. There are areas of wear and discoloration to a few places across the surface. There are spots of staining and debris, which is consistent with the piece being exhibited outside. Please telephone the department on +44 207 293 6424 if you have any questions regarding the present lot.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

Man on Man is a monumental steel sculpture that displays Douglas Camp's ability to capture and present international themes and issues through the representation of the human figure.  Douglas Camp's sculpture was commissioned in 2002 by the Jerwood Charitable Foundation as a sculpture for the Commonwealth Institute in central London as part of the Jerwood Art Commission Scheme.  The sculptor wished to produce a work that expressed the aim and goal of the Commonwealth, and her composition of one body supporting another while it begins to change form captures the idea of fifty-two countries coming together to become a larger, stronger body. The vivid yellow enamel mask worn by the supported figure reflects Douglas Camp's keen interest in the cultural as well as political connections between nations.  The masked figure not only demonstrates the artist's interest in how the phenomenon of the masquerade is prevalent in so many of the nations that comprise the Commonwealth, but also poignantly represents all countries and peoples at once.