拍品 257
  • 257

易 伊蓮

估價
35,000 - 55,000 HKD
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招標截止

描述

  • Yee I-Lann
  • 京那巴鲁系列:胡密娜多
  • Signed, titled, numbered 8/8 and dated 2007 on a label affixed to the board of the reverse
  • 數位印刷.柯達Endura相紙
  • 106.5 x 205.5公分,42 x 80 1/2英寸
  • Executed in 2007, this work is number 8 from an edition of 8 plus 2 artist's proofs. Another edition of this work is in the permanent collection of the National Gallery of Victoria, Melbourne.

展覽

Kuala Lumpur, Galeri Petronas; Malmö, Sweden, Malmö Konstmuseum, Out of the Mould: The Age of Reason, 10 Malaysian Women Artists, 25 October until 2 December 2007; 2008 (another edition)

Stuttgart, ifa galleries; Berlin, ifa galleries, Paradise is Elsewhere, April 17 - June 14, 2009; July 3 - September 6, 2009 (another edition)

Melbourne, National Gallery of Victoria, Re_view, October 16, 2009 – April, 4 2010 (another edition)

出版

Beverly Yong and Adeline Ooi, eds., Yee I-Lann: Fluid World, Kuala Lumpur, 2010, illustrated in colour (another edition)

Condition

This work is in good condition, as is the paper. The sheet is clear of ostensible problems associated with paper as a medium, such as tears, holes and foxing. Framed, with Plexiglas.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

拍品資料及來源

『《神山系列》(Kinabalu Series)探討卡達山杜順女人被侵蝕的精神力量和她與大地之間關係的轉變。神山是沙巴萬變環境中唯一的不變永恆,是卡達山杜順族人的指南針,也是先人長眠之地。「武米娜丹」訴說的是女人創造大地和稻田,養活族人的故事。「鄉村男孩」則是我自己的寫照、家庭情景戲和美術館西洋鏡。作為2020宏願下的馬來西亞人,我試著尋找自己的位置,在卡達山祖母給我的血統和今天油棕收成與風景都均質化的現實下取得平衡。「Kopivosian」是現代沙巴,一個布城工廠,油棕產業。《神山系列》是我對沙巴的輓歌。』

易伊蓮,畫家自序