清雍正 釉裏紅「三魚」紋盌 《大清雍正年製》款

盌口微撇，圈足。盌內平素無紋，外壁飾釉裏紅魚三尾，發色鮮艷。底書青花六字雙圈楷款。

康蕊君，《玫茵堂中國陶瓷》，倫敦，1994-2010年，卷4，編號1718

There is a small original firing crack to the foot ring. There are a couple of small pinholes on the outside, light scratches and an minute iron spot on the inside, but overall the bowl is in very good condition. The copper-red is slightly less saturated than the catalogue illustration.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

以釉裏紅勾勒動物或魚類圖案，始於永樂年間，多結合釉下青花使用，入宣德朝則較多獨立裝飾之例。明早期，釉裏紅魚紋多見於高足盃及高足盌。景德鎮明代官窰遺址之宣德地層曾出土一罕見釉裏紅魚紋盃碎片，已復原，詳見《景德鎮出土明宣德官窰瓷器》，鴻禧美術館，台北，1998年，編號101-2。早期繪圖輪廓簡單，邊緣處理粗略，未見鋸齒形背鰭。

宣德以後，釉裏紅工藝鮮見應用，及至清朝，才告復興。成化中期地層出土一釉裏紅盌碎片，魚紋倒置，已復原，詳見《成窰遺跡：景德鎭珠山出土成化官窰瓷器》，徐氏藝術館，香港，1993年，編號B22。北京博物院清宮舊藏一罕見正德盌，以釉裏紅繪四尾游魚，惟發色淺淡泛灰，足見當時燒製釉裏紅之艱鉅，詳見《故宮博物院藏文物珍品全集·青花釉裏紅（中）》，上海，2000年，圖版220。

雍正年間，「三魚」紋盌極為流行，有見不同尺寸作例。有一雍正作例，與本品類似，繪畫風格較粗略，現存南京博物館，曾展於《清瓷萃珍－清代康雍乾官窰瓷器》，香港中文大學文物館，香港，1995年，編號49。另有一例，盌口略撇，藏於江西省清江縣博物館，載於《中國陶瓷全集》，上海，1999-2000年，卷14，圖版162。另一例屬倫敦維多利亞與艾伯特博物館藏品，載於 Rose Kerr，《Chinese Ceramics. Porcelain of the Qing Dynasty 1644-1911》，倫敦，1986年（修訂版，1998年），圖版11。一例藏於台北國立故宮博物院，見《明成化瓷器特展》，台北，1977年，編號100，另有罕見之成化及萬曆年款作例，分別為編號98與99。