王建章 （活躍於1628-1644）

簽書：
〈畫〉王研田谿山清寂圖。南湖道出泲南所得屬，瓢叟署端。
〈書〉王研田書唐人詩卷。南湖先生屬。瓢叟題。

款識：
〈畫〉閉門高臥養天真，落日秋聲曲水濱。為寫江湖漂泊態，谿山清絕不逢人。崇禎癸酉（1633）仲秋，畫似紫玄社長兄教。硯田莊居士。
〈書〉（李白〈古風〉八首，詳文不錄）紫玄社兄夙負能書，書不入俗，故不為俗眸識取，亦不肯輕賞俗書。其言何書家道宗，典雅終歸自然，刻畫支離，俱傷雅道旨哉乎。鄙書不工，願附同調。壬寅（1602）初春，命我錄李白〈古風〉八首，遂不敢自覆其拙云。

鈐印：「王建章印」、「仲初父」、「王建章印」。

藏印：「帆景樓」、「宮子行玉父共欣賞」（二鈐）、「泰州宮氏珍藏」（三鈐）、「覺庵鑑藏書畫」（二鈐）、「歸稼軒藏」（二鈐）、「宮本昂字子行亦曰紫珩又字千里」（二鈐）、「肅親王」、「偶遂亭主」、「宮」（二鈐）、「宮子行同弟玉父寶之」（兩鈐）、「賢者而後樂此」。

上款：「紫玄」，應為宮紫玄，尚未考其生平，據〈中國美術家人名辭典〉載，硯田與宮紫玄、惲道生諸人友善。按硯田款識，推知紫玄亦工書善詩，且不與俗流。清初著名詩人宋琬（1614-1674）在其〈安雅堂集〉中有「贈宮紫玄二章」，應為同一「紫玄」。

- Papers of both scrolls bear a tanning tone due to age. - Several restorations can be found on the painting with the largest one measuring 5 x 0.4 cm. - Two small groups of foxing spots, one at the beginning and one at the middle of the painting scroll. - Several light creases throughout the painting scroll. - Several restorations can also be found on the calligraphy with the largest one measuring 3.5 x 0.5 cm at the beginning of the scroll.
In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.

註：按鈐印故知，本一書一畫二卷原乃泰州宮本昂收藏，後傳至南湖即小萬柳堂主人廉泉（1868-1931）。廉氏嗜好書畫、金石，並於一九O八年創辦文明書局，曾精選宮氏珍藏明清扇畫出版珂羅版畫集一套。

「瓢叟」即顏世清 （1873-1929），字韻伯。足跛，人稱顏跛子。廣東連平人，寄居北京。於政界多年，提倡文化最力。精鑒富收藏。

肅親王，生卒年不詳。名善耆，號偶遂亭主，清宗室。光緒二十四年（1898）襲爵。累官至内閣民政大臣、理藩大臣。