龔賢 1619-1689

題跋：
〈張〉半千，崑山人，流寓金陵，結廬於清涼山下，茸半畝園，栽花種竹，悠然自得。性孤癖，喜作山水，掃除蹊徑，獨出幽異。不肯苟作，自謂前無古人，後無來者，沉雄深厚，有高古蒼逸之趣，為金陵八大家之冠。道光十八年（1838）七月二十三日，澗南兄郵寄此冊屬題，叔未張廷濟。

〈何〉（七絕二首，詳文不錄）國朝畫家予折服龔氏，胎息最古，能作巨幅，滿紙煙雲，即焦墨渴筆亦帶煙潤，信乎非凡手能到。此冊舊藏文鑑湖將軍處，今乃歸予，付裝並作兩絕。宣統庚戌（1910）六月。何賓笙。

〈陳〉戴文節論畫，於龔半千頗不滿意。文節尚爾，宜後之人，以軟媚取姿者，更不足與譚也。丙辰（1916）夏六月，陳衡恪借觀並誌。

〈林〉半千畫，國人喜其白者；日人愛其黑者。濃易於取姿，淡艱於得神。此冊惜墨如金，龔畫之尤淡者，益以叔未、師曾兩跋，殊可貴也。癸巳（1953）秋日，朗庵。

〈張〉此小册頁係出自半千真跡。八十叟大千爰拜觀。

鈐印：〈龔〉「鍾山野老」、「半千」（六鈐）、「重史」（四鈐）。
         〈張〉「張廷濟印」。
         〈何〉「稚苓」、「一生詩畫不沽名」。
         〈陳〉「衡愙之印」、「師曾」。
         〈林〉「卻憶故園耕釣處」。
         〈張〉「大千唯印大幸」。

藏印：「京口何氏收藏」（七鈐）、「道山陳氏收藏書畫之印」。

來源：
香港蘇富比，中國古代書畫，二OOO年五月，拍品編號54

- Over all in good condition, except that the papers bear light wears. - Minor restorations of paper loss can be found on two leaves. - Two groups of foxings can be found on two leaves, one on the left bottom corner, one on the middle part to the left, as can be seen on the illustration. - A folding mark in the middle of each leaf from previous mounting, can also be seen on the illustration. - The colors of the illustration appear to be in a greenish tone than that of the actual piece.
In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.

註：冊后另有黃君璧癸亥（1983）、李奇茂己巳（1989）拜觀跋，並各具鈐印兩方。
本冊先後經何賓笙、林熊光所藏。
何賓笙，字芷舲、稚苓，號青羊居士，齋名青羊鏡軒，祖籍丹徒，世居揚州。主張立憲，曾遊歷日本考察。一九一二年八月任蒙藏事務局僉事。與陳師曾為姻親摯友。善畫，精於鑒賞，青羊鏡軒所藏八大山人丙午年（1666）作〈墨花圖卷〉今藏北京故宮博物院。
林熊光 (1897—1971)，字朗庵，台灣板橋林家成員之一。一九二三年畢業東京帝大，創立朝日興業株式會社。性嗜書畫，精鑑賞，宋元名家劇蹟甚富，室名「四照堂」、「寶宋室」。著有〈寶宋室筆記〉。