- 1153
張大千 (1899-1983) 後赤壁圖 設色紙本 鏡框
估價
800,000 - 1,200,000 HKD
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招標截止
描述
- Zhang Daqian (Chang Dai-chien, 1899-1983)
ink and colour on paper, framed
款識：
屐巉崖，披蒙茸，踞虎豹，登虬龍。
大千居士寫於江戶。
鈐印：「張大千長年大吉又日利」、「張爰長壽」。
來源：現藏者請託著名書畫收藏家王南屏（1924-1985）向畫家求得
屐巉崖，披蒙茸，踞虎豹，登虬龍。
大千居士寫於江戶。
鈐印：「張大千長年大吉又日利」、「張爰長壽」。
來源：現藏者請託著名書畫收藏家王南屏（1924-1985）向畫家求得
來源
Acquired from the artist through collector Wang Nanping by the present owner
Condition
-Generally in good condition.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."
拍品資料及來源
註：東坡居士傳誦千古之〈前、後赤壁賦〉乃大千先生屢納入畫之
題材，晚年亦輒寫之。本幅無年款，僅示地點為東瀛，即畫家
五、六十年代經常小留之處。從畫風、設色視之，非工細如五十
年代所出，其沉鬱厚重，取法清湘而演變為自我面貌，特別見諸
六十年代初風格從大寫意過渡至潑墨潑彩的階段，相類畫風者成
為此時的特徵。若參考「梅雲堂」珍藏一九六二年秋所作〈風盪晚
波〉尤為接近。是年春秋兩季，大千皆居停日本，留下不少佳構。
復証諸藏者憶述約於六十年代得之，六二年作品之推斷，殆無誤
耳！
畫中構圖緊湊，上下呼應，即使不錄文字，〈後赤壁賦〉中所述俱
化作眼前景象，處理以刪繁擷簡手法，直指其要。雖云是時不事
細工，但筆墨淋漓紛披處，描劃精準，收拾得宜，松濤、波浪，
皆呈動感，洵屬用心之作。他晚年再寫此題材，錄詩曰「獨履巉巖
上，濤喧萬壑松；馮夷空自舞，二客與難從。」若與本幅畫面相
配，益見詩畫互証之意。
參考資料：
一九六二年之〈風盪晚波〉可參見〈梅雲堂藏張大千畫〉目錄，高美
慶編（香港，香港中文大學文物館，一九九三年），圖版115
題材，晚年亦輒寫之。本幅無年款，僅示地點為東瀛，即畫家
五、六十年代經常小留之處。從畫風、設色視之，非工細如五十
年代所出，其沉鬱厚重，取法清湘而演變為自我面貌，特別見諸
六十年代初風格從大寫意過渡至潑墨潑彩的階段，相類畫風者成
為此時的特徵。若參考「梅雲堂」珍藏一九六二年秋所作〈風盪晚
波〉尤為接近。是年春秋兩季，大千皆居停日本，留下不少佳構。
復証諸藏者憶述約於六十年代得之，六二年作品之推斷，殆無誤
耳！
畫中構圖緊湊，上下呼應，即使不錄文字，〈後赤壁賦〉中所述俱
化作眼前景象，處理以刪繁擷簡手法，直指其要。雖云是時不事
細工，但筆墨淋漓紛披處，描劃精準，收拾得宜，松濤、波浪，
皆呈動感，洵屬用心之作。他晚年再寫此題材，錄詩曰「獨履巉巖
上，濤喧萬壑松；馮夷空自舞，二客與難從。」若與本幅畫面相
配，益見詩畫互証之意。
參考資料：
一九六二年之〈風盪晚波〉可參見〈梅雲堂藏張大千畫〉目錄，高美
慶編（香港，香港中文大學文物館，一九九三年），圖版115